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History of the origin of cartoons & Caricature part 2

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History of the origin of cartoons & Caricature part 2

History of the origin of cartoons & Caricature part 2

 

Punch Magazine, a British weekly publication, left an indelible mark on the world of satire and humor. From its inception in 1841 until its final issue in 2002, Punch cast a satirical eye on life in Britain, chronicling the interests, concerns, and frustrations of the country. Let’s explore its fascinating history:

Origins and Early Years:
Founders: Punch, also known as The London Charivari, was established by Henry Mayhew and wood-engraver Ebenezer Landells.
Influence: It was most influential during the 1840s and 1850s, coining the term “cartoon” in its modern sense as a humorous illustration.
Parisian Inspiration: The magazine drew inspiration from popular Parisian papers of the time, particularly Le Charivari. Landells admired the French magazine’s use of wood engravings and hoped to create a similar platform for his own work.
Content and Impact:
Political Debate and Illustration: Initially, Punch focused more on politics than pictures. Radical writing took center stage, but each issue featured “Punch’s Pencillings”—a full-page satirical drawing at the magazine’s core.
Illustrators: Over its 161-year run, Punch featured illustrious illustrators such as:
H. M. Bateman (1887–1970)
Ronald Searle (1920–2011)
Gerald Scarfe (b. 1936)
Victorian Influence: During Queen Victoria’s reign, Punch offered a savory and wholesome humor that resonated with the Victorians. It reflected conservative views and found its way into the libraries of diplomats, cabinet ministers, and even royalty.
Legacy:
Revolutionizing Illustration: Punch practically revolutionized the field of illustration. Its wood engravings and satirical drawings set new standards.
Social Historians’ Resource: Today, Punch stands as an invaluable resource for social historians, capturing the spirit of its time and shaping public discourse.
In summary, Punch Magazine left an enduring legacy, combining humor, illustration, and political commentary. Its pages echoed the pulse of Britain, making it a timeless window into the past.

WORKSHOP The British Punch Magazine as a Transcultural

Selected Edwardian Punch Cartoons of Edward

 

 

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